Oil on 140-lb Cold Pressed Watercolor Paper - 6" x 12"

Working on a Design - Six Versions

Redo of a Third Sketch Below

Sketches - Perspective of the Head

Nose Play

Nose detail after Diego Velasquez, "Portrait of a Man."  An attempt to indicate the planes, a sketch of the planes, and final watercolor sketch.

Hazel - Graphite on Bristol - about 10" x 10" (25cm x 25cm)

Portrait in Progress - "Hazel" - Graphite on Bristol - about 10" x 10" (25cm x 25cm)

Portrait in Progress - "Hazel" - Graphite on Bristol - about 10" x 10" (25cm x 25cm)

Portrait Study #H2

Conte Crayon on Reversed Watercolor Paper - 8" x 8"

Church in Český Krumlov, Czech Republic - Watercolor and Ink on 140-lb. cold-pressed, about 8" x 10" (20 x 25 cm)

Český Krumlov - Czech Republic - about 6" x 6" (16 x 16cm) - Ink & Watercolor

Rupt-aux-Nonains, France - after José Salvaggio - Oil on Canvas - 10" x 13"

I like José Salvaggio's painting so much, I had to have a reasonable facsimile for myself.  I also wanted to explore his painting method done on location. I used his video on YT as a guide to what I did, and thus learned many good things.

Bhutan I - 9" x 9" ((23 x 23cm) - Pastel on UArt 400

Greenland - 8" x 8" (20cm x 20cm) - Pastel on UArt 400

Oil on Canvas Sheet - about 7-1/2" x 11-1/2"

This was supposed to be an exercise in squaring off a complex rounded form and identifying and painting the major planes. Probably not as squared off as it should be for the exercise, but I learned some anyway.